Timbaland – Shock Value

Album Info

Artist: Timbaland

Title: Shock Value

Year: 2007

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Tracklist

  • 1. Oh Timbaland - Album Version (Edited) (3:31)
  • 2. Give It To Me (3:32)
  • 3. Release - Album Version (Edited) (3:25)
  • 4. The Way I Are (2:59)
  • 5. Bounce - Album Version (Edited) (4:04)
  • 6. Come and Get Me - Album Version (Edited) (3:30)
  • 7. Kill Yourself - Album Version (Edited) (4:06)
  • 8. Boardmeeting (2:29)
  • 9. Fantasy (4:11)
  • 10. Scream (5:41)
  • 11. Miscommunication (3:18)
  • 12. Bombay (2:54)
  • 13. Throw It On Me - Album Version (Edited) (2:10)
  • 14. Time (3:57)
  • 15. One and Only - Album Version (Edited) (4:16)
  • 16. Apologize (3:04)
  • 17. 2 Man Show (4:25)

Review

Timbaland's 'Shock Value' is a musical kaleidoscope that perfectly encapsulates the producer's innovative spirit and collaborative prowess. Released in 2007, this album is a veritable who's who of the music industry, featuring an impressive roster of artists from diverse genres. The tracklist reads like a dream team lineup, with Justin Timberlake, Nelly Furtado, Keri Hilson, and even Elton John making appearances.

The album's sonic palette is as varied as its guest list. Timbaland flexes his production muscles, seamlessly blending hip-hop, pop, and R&B into a cohesive yet eclectic mix. Take 'Oh Timbaland,' for instance, where he ingeniously incorporates Nina Simone's 'Sinnerman,' or 'Bounce,' which marries Miami Bass with other influences. It's this kind of musical alchemy that sets 'Shock Value' apart.

While not every track hits the mark, the album's high points are stratospheric. Singles like 'Give It to Me' and 'The Way I Are' dominated charts worldwide, with the former clinching the top spot on both the US Billboard Hot 100 and UK Singles Chart. The commercial success of 'Shock Value' speaks volumes, with the album going multi-platinum in several countries and selling over 3.5 million copies globally. It's a testament to Timbaland's ability to create music that's both experimental and accessible, pushing the boundaries while keeping listeners hooked. - Ellis

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