Peter Tosh – Mama Africa

Album Info

Artist: Peter Tosh

Title: Mama Africa

Year: 1983

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Tracklist

  • 1. Mama Africa - 2002 Remaster (7:59)
  • 2. Glass House - 2002 Remaster (5:52)
  • 3. Not Gonna Give It Up - 2002 Remaster (5:47)
  • 4. Stop That Train - 2002 Remaster (4:03)
  • 5. Johnny B. Goode - 2002 Remaster (4:04)
  • 6. Where You Gonna Run - 2002 Remaster (4:10)
  • 7. Peace Treaty - 2002 Remaster (4:20)
  • 8. Feel No Way - 2002 Remaster (3:28)
  • 9. Maga Dog - 2002 Remaster (4:28)
  • 10. Johnny B. Goode - Long Version; 2002 Remaster (6:55)
  • 11. Where You Gonna Run - Long Version; 2002 Remaster (6:35)
  • 12. Mama Africa - 7 Version; 2002 Remaster (3:55)

Review

"Mama Africa" is an incredible work by the one and only Peter Tosh, released in 1983. What struck me most about this album was its incredible blend of social commentary, spiritual themes, and musical versatility. The traditional reggae rhythms are woven with some daring experimentation, making it a standout in the reggae genre.

This album truly shows off Tosh's ability to craft songs with both passion and conviction, as seen in tracks like "Mama Africa" and "Glasshouse". It's also worth noting that Tosh isn't afraid to experiment, as he covers Chuck Berry's "Johnny B. Goode", bringing a surprising rock influence to the table. The musicianship is top-notch, with a talented ensemble of bassist Robbie Shakespeare, drummer Sly Dunbar, and numerous guitarists, keyboardists, and horn players. The result is a cohesive effort from start to finish. While it's not without some unevenness, tracks like "Glasshouse" and "Stop That Train" showcase his powerful and rhythmic deliveries. "Mama Africa", "Not Gonna Give It Up", and "Peace Treaty" stand out as some of the standout tracks on this album. And commercially, it was a huge success, peaking at number 59 on Billboard, Tosh's highest-charting album in the US, and number 47 on the Kent Music Report in Australia. "Mama Africa" is a testament to Tosh's enduring influence on reggae music and his ability to blend different styles while staying rooted in reggae, making it a strong example of his solo work. It's an album that truly resonates with listeners, and its themes of social justice, spiritual awakening, and cultural identity continue to resonate today. - Sienna

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