Review
In the haunting realm of gothic rock, "Tocsin" emerges as a dark, atmospheric jewel. Released in June 1984 on the enigmatic 4AD label, it embodies the post-punk spirit with a rich blend of evocative soundscapes. Under the masterful touch of Mick Glossop, with contributions from Ivo Watts-Russell and John Fryer on its final tracks, the album transports listeners into a shadowy and enchanting world. With songs like "Mondlicht," "Eiland," and "Reigen," Xmal Deutschland crafts a collection brimming with haunting beauty and intense emotion.
Vocalist Anja Huwe's performance is nothing short of enthralling, weaving an expressive spell that deepens the album's moody allure. The sonic concoction features Manuela Rickers' cutting guitars, the evocative keyboards of Fiona Sangster, Wolfgang Ellerbrock's driving bass lines, and the dynamic interplay of drummers Peter Bellendir and Manuela Zwingmann. This masterful blend channels the spirit of bands like Siouxsie and the Banshees and Cocteau Twins, creating a sound both foreboding and mesmerizing.
"Tocsin" was met with admiration, with descriptions like "a creative high point, a teutonic marriage of Siouxsie and the Banshees' inviting goth-pop and the majestic sonic spaces of the Cocteau Twins," praising its artistry. Xmal Deutschland's audacious stride with this album not only captivated audiences but also cemented their place within the evocative tapestry of 1980s underground music. Through stormy atmospheres and chilling melodies, "Tocsin" remains a hypnotic and highly esteemed piece in the realm of gothic music. - Lydia
