Review
"Father of the Bride" is a significant milestone for Vampire Weekend, signaling a refreshing transformation after a substantial pause in their discography. Released on May 3, 2019, following a six-year gap since "Modern Vampires of the City," the band presents a double album with an impressive 18 tracks. It stitches together personal narratives and broader societal reflections, much of it springing from frontman Ezra Koenig's life experiences, such as fatherhood and a move to the West Coast. The album playfully borrows its name from a well-known comedy film, a nod to the buoyant and accessible undercurrent that runs through this body of work. This collection notably leans into a more folk-infused, relaxed sound, without completely forgoing the energetic and eclectic sonic palette fans have come to expect from the band.
The album does not stray from Vampire Weekend’s reputation for complex songcraft and an appetite for diverse musical genres. It harmoniously blends styles from country all the way to baroque pop, establishing tracks such as "Harmony Hall" and "This Life" as standouts with their infectious rhythms and sophisticated compositions. The inclusion of guest artists, like Danielle Haim, introduces a spirited dialogue within the music, adding layers of warmth and relatability. The lyrics contend with timeless subjects—love and the passage of time—and address contemporary concerns through the lens of spiritual and religious symbolism. Critical consensus appreciates the album's adventurous breadth and depth, though opinions diverge slightly regarding its overall narrative cohesion compared to the band's prior cohesive storytelling. - Stephanie
