Review
Alright, so here's the lowdown on The Tallest Man on Earth's "There's No Leaving Now." This 2012 release from Kristian Matsson, the magical Swede behind the moniker, is a trip into the raw, introspective corners of folk. Dropped on June 11, 2012 via Dead Oceans, it pairs stellar songwriting with that intimate, stripped-down vibe Matsson's known for.
"There's No Leaving Now" was born in Matsson's own digs over five intense months, giving it that close-to-home touch. The standout single "1904," which hit the airwaves before the album dropped, sets the stage with Matsson's unmistakable voice and killer storytelling. The sparse arrangements—often just him and his guitar—cut through the bullshit, laying his soul bare for all to see.
Critics mostly flipped their lids over this one, saying it holds true to its folk roots while still pushing boundaries. Sure, the raw, lo-fi edges of Matsson's earlier stuff might be smoothed out a bit, but that doesn't stop this album from feeling real as hell. Overall, "There's No Leaving Now" is a tightly-knit, beautifully honest package that firmly plants Matsson in the big leagues of the folk scene. Give it a spin if you're into those heartfelt, no-nonsense tunes. - Chase
Listening Guide
• Vibe: Solitary Reflection
• Insight: This intimate and stripped-down folk album is perfect for moments of quiet solitude and self-reflection. With its raw emotion and minimalistic arrangements, it offers a space to slow down and connect with the deeper layers of your own thoughts. Whether you’re unwinding alone or processing life’s complexities, these heartfelt tunes provide a genuine, no-frills soundtrack for introspection.
