Review
Let's talk about *Comedown Machine*, that interesting beast of an album by The Strokes. Released on March 26, 2013, this record really marks the band stepping into something fresh while barely letting go of their signature vibe. They're diving into 80s synth-pop territory, pushing those synths forward on gems like "One Way Trigger" and "80's Comedown Machine." You can tell they're having some fun here while they're at it. It’s like they took their usual guitar-driven rock and dressed it up in new, synthy clothes without losing their edge!
And man, talk about vocals—Julian Casablancas really flexes his chops, especially when slipping into falsetto in "Tap Out" and that catchy "One Way Trigger." The band is still rocking their post-punk roots, but they're definitely shaking things up. Let’s not forget the guitar licks by Nick Valensi and Albert Hammond Jr.; those guys bring their A-game, with Nick’s play standing out solidly. Even without media buzz, the album stumbled commercial-wise, but artistically it was a leap. It’s a point of evolution for The Strokes, proving they could churn out electrifying sounds and still stay true to what's made them click for over a decade. - Preston
