Review
In the tempest of 2014's rock scene, The Pretty Reckless unleashed their ferocious second act, "Going to Hell," a record that doesn't just whisper the gritty tales of rebellion and redemption but belts them out with a snarl. Taylor Momsen, the band's fiery frontwoman, channels the unbridled energy of the 80s hard rock icons, her voice a raspy instrument of raw power that soars over the thunderous riffs of tracks like "Heaven Knows" and the rebelliously titled "Why'd You Bring a Shotgun to the Party." Each song is a testament to the band's ability to weave polished hooks into a fabric of unapologetic aggression, creating anthems that resonate with the defiance of a generation.
The album's not just about the roar, though; it's a nuanced journey that fearlessly delves into the quieter moments of reflection with songs like "House on a Hill." Here, Momsen's voice takes on a haunting quality, draping over listeners like a shroud, pulling them into the record's more introspective depths. Producer Kato Khandwala masterfully captures the band's intense dynamic, steering them through the aftermath of Hurricane Sandy's devastation, which claimed early recordings, and shaping the chaos into a cathartic tour de force. "Going to Hell" is more than a collection of tracks; it's a battle-hardened statement that cements The Pretty Reckless's place at the forefront of modern rock 'n' roll. - Roxie
