Review
"Lions," The Black Crowes' sixth studio album, emerged in 2001 as a pivotal release that exemplifies the band's foray into new musical territories. Notably the band's first installment under V2 Records after leaving Columbia, this album is distinct for featuring guitarist Audley Freed's unique contributions—his only studio album appearance with the group. Produced by the legendary Don Was in New York City, "Lions" underscores a creative synergy that pulls the allure of Southern rock, blues, and hard rock into a compelling sonic journey. The album's production was a cooperative affair, with Rich Robinson and Don Was sharing bass guitar responsibilities — a move that undeniably enriched its sound profile.
Upon release, "Lions" charged into the music scene, debuting at number 20 on the Billboard 200 and selling over 53,000 copies in its first week alone. While it enjoyed commercial success, the album had a polarizing effect among critics. Its vigorous sound and musical prowess earned accolades, yet some reviewers were quick to criticize it, noting a shortage of standout tracks and likening it to lesser imitations of rock legends like Led Zeppelin. However, songs like "Cosmic Friend" did receive praise for their bold blend of Beatles-esque psychedelia and robust rock elements. The album's promotion was amplified by The Black Crowes' dynamic tours across North America, Europe, and Japan, which further anchored its position in the band’s vibrant discography, despite the diverse critical opinions. In this light, "Lions" serves not just as a testament to The Black Crowes' relentless experimentation, but also as an illuminating chapter in the evolution of rock music at the turn of the millennium. - Karl
