Review
Peter Gabriel's self-titled debut album from 1977 (known as 'Car' for its cover art) made a bold opening gambit in his post-Genesis career. Like a chess player sacrificing a pawn for position, Gabriel abandoned the security of his famous band to venture into uncharted musical territory. The album's adventurous spirit is immediately apparent in its genre-blending approach, where progressive rock mingles with jazz, arena anthems, and theatrical elements. 'Solsbury Hill' stands as the album's undisputed queen on the board, with its distinctive 7/4 time signature and emotional resonance capturing Gabriel's feelings about leaving Genesis.
The supporting pieces in Gabriel's musical strategy include the innovative disco-metal fusion of 'Down the Dolce Vita' and the contemplative power of 'Here Comes the Flood.' While some tracks make less decisive moves than others, the album benefits tremendously from Gabriel's collaborators, with Robert Fripp and Tony Levin providing exceptional tactical support throughout. Looking at the complete game, 'Car' reveals Gabriel's remarkable opening repertoire as a solo artist, establishing the creative independence and artistic vision that would define his career for decades to come. - Zach
