Nina Simone – High Priestess of Soul

Review

"High Priestess of Soul" is a standout album in Nina Simone's brilliant career, released during a tumultuous time in 1967 America. It's a powerful mix of soul, jazz, and more, reflecting the social changes of the era. From the get-go with "Don't You Pay Them No Mind," Simone's robust vocals and the jazz-tinged arrangements set a defiant, resilient tone. The album is an eclectic journey through genres, showcasing Simone's unique ability to reinvigorate everything from pop to gospel and folk with her distinctive style.

The album also features tracks like "Brown Eyed Handsome Man" by Chuck Berry, which pulses with rock ’n’ roll vigor, and the profoundly spiritual "Come Ye", illustrating Simone's versatility. Her collaboration with Andy Badale (later known as Angelo Badalamenti) adds a cinematic quality to songs like "I Hold No Grudge" and "He Ain't Comin' Home No More." Whether it's the longing in "The Gal from Joe's" or the almost sacred energy of "Take Me to the Water," Simone connects deeply with her material, conveying a spectrum of emotions. "High Priestess of Soul" is more than just music; it's a resonant, bold statement from an artist known as much for her impactful music as for her activism, cementing her legacy as a formidable force in music and civil rights. - Courtney