Review
MUNA’s Saves The World, released in 2019, is a shimmering, deeply personal synth-pop journey that dives into the highs and lows of self-discovery. Opening with “Grow,” the album immediately pulls you into its emotional landscape, blending vulnerability with anthemic energy. MUNA tackles everything from heartbreak to resilience, capturing both the pain and empowerment that come with facing yourself head-on.
Tracks like “Number One Fan” bring a fresh, self-aware humor, while “Stayaway” gets raw with its pulsing beat and lyrics that lay bare the struggle of letting go. The production is lush and full, layering synths and driving beats with intimate vocal moments, creating an album that feels like a night drive through city lights.
By the time you reach “It’s Gonna Be Okay, Baby,” MUNA has taken you through a journey of healing and growth. Saves The World is uplifting, honest, and unapologetically queer, reminding you that saving yourself is a process—messy, beautiful, and absolutely worth it. - Tasha
Artist Bio
MUNA is a Los Angeles-based band that formed in 2013, blending indie pop, synth-pop, electropop, and power pop with openly queer and LGBTQ-positive themes. The trio—Katie Gavin, Josette Maskin, and Naomi McPherson—first caught attention with early singles and eventually signed to RCA, releasing albums like *About U* and *Saves the World* before moving to Phoebe Bridgers' label Saddest Factory Records for their self-titled 2022 album. Known for energetic, emotionally resonant live performances, MUNA has toured with acts such as Harry Styles, The 1975, and Taylor Swift. They’re recognized for both their catchy synth-driven sound and advocacy for queer representation. Fans of CHVRCHES, Tegan and Sara, or Carly Rae Jepsen may find a lot to like in MUNA’s music.
