Review
In her seventh studio marvel, "The Land Is Inhospitable and So Are We," Mitski weaves a rich tapestry of Americana, country, folk, and orchestral pop that drapes the listener in the lush textures of her ethereal vocals and poignant narratives. Produced by the adept Patrick Hyland and recorded across iconic studios from Nashville's Bomb Shelter to Sunset Sound in Los Angeles, this album not only packs a powerful vocal punch but also parades a majestic orchestration with a 17-person choir and full orchestra, under the baton of Drew Erickson. It's as if each track crafts its own runway, showcasing Mitski’s vibrant palette of musical influences—from the dramatic flair of spaghetti Westerns to the intricate compositions of Igor Stravinsky and Scott Walker.
Critically lauded with a score of 90 on Metacritic, the album sashays through the limelight of "universal acclaim" with its emotionally rich lyrics and a cleverly stripped-down musical approach, reminiscent of finding a vintage YSL in your attic—timeless and astonishingly beautiful. Tracks like "Bug Like an Angel," "Heaven," and "My Love Mine All Mine," are the perfect blend of haunting melodies and storytelling that could easily be the backdrop to a windswept cinematic montage. Meanwhile, upbeat numbers like "I'm Your Man" spin a different kind of yarn, adding a splash of rhythm that proves Mitski isn’t just about ballads but can also turn up the tempo. "The Land Is Inhospitable and So Are We" is truly a showcase of Mitski's formidable prowess in painting sonic landscapes as grand and emotive as the most breathtaking couture collection. - Isla
