Review
Mitski's third studio album, "Bury Me at Makeout Creek," launched into the indie rock scene in 2014 with a compelling mix of raw energy and heart-wrenching lyrics. With Patrick Hyland at the production helm, the album pulses with grungy undertones reminiscent of 90s indie rock, creating a sound that's both nostalgic and refreshingly original.
Mitski's introspective songwriting is the heart of this 10-track treasure, where themes of love, death, and the tumult of growing up unfold through her expressive and emotive voice. Standout tracks like "Townie" and "First Love / Late Spring" spotlight her knack for crafting melodies that linger long after the music stops. The critical reception was glowing, with accolades from heavyweights like Pitchfork, Consequence of Sound, and Rolling Stone. "Bury Me at Makeout Creek" is a testament to Mitski's ability to create music that's profoundly personal yet widely relatable. - Stephanie
Artist Bio
Mitski is a Japanese-American singer-songwriter who started releasing music in 2012 while studying studio composition at SUNY Purchase. Now based in the US, she gained recognition for her heartfelt lyricism and genre-crossing approach, blending indie rock, lo-fi, alternative, and art pop across a series of acclaimed albums like *Be the Cowboy* and *Puberty 2*. Her songs such as "Nobody" and "Working for the Knife" have gone viral online, and she has contributed to soundtracks as well as collaborated with artists including Katie Gavin. Mitski signed with the indie label Dead Oceans after self-releasing her first two albums, and her music is often compared to artists like Phoebe Bridgers, Sharon Van Etten, and St. Vincent. Throughout her career, she has been praised for her vulnerable storytelling and has developed a dedicated following within the indie scene.
