Review
M. Ward's fifth studio wonder, 'Post-War,' heard its first echo on August 22, 2006, as it gracefully made its way into the world via Merge Records. This album marks a turning point in his musical journey, notably expanding from his earlier, stripped-down tones to embrace a lush, broader soundscape. The rich tapestry of twelve tracks including the single 'To Go Home,' a heartfelt reinterpretation of Daniel Johnston’s song, weaves together acoustic warmth and emotional resonance, alongside melodies like 'Poison Cup' and 'Chinese Translation' that stick to the soul like aromatic honey.
Diving into 'Post-War' feels like perusing an art gallery full of diverse textures and narratives. M. Ward dazzles with rich instrumentation and production prowess, infusing each song with a depth that underscores his storytelling genius. Mix the folk rust of 'Right in the Head' with the rock-thrumming undercurrents of the titular track 'Post-War,' and you have a seamless intertwining of folk, rock, and pop elements that create an evocative aural bouquet.
His versatility as a masterful singer-songwriter and guitarist truly shines. Tracks like 'Eyes on the Prize' and 'Rollercoaster' sweep you into a journey through realms of introspection and vibrant energy. The melodies conjure scents of both contemplation and zest, reflecting emotional peaks and troughs while imprinting auditory landscapes. With ‘Post-War,’ M. Ward carves out a place in music where sonic exploration meets emotional authenticity. This is him triumphantly adding to his repertoire with flair and heartfelt songwriting, weaving intricate layers and storytelling artistry into a harmonious collection. - Mira
