Review
Loreena McKennitt’s fifth studio gem, "The Mask and Mirror," released in 1994, shimmers with a mystical blend of Celtic, Spanish, and Moroccan influences, creating a soundscape as rich and vibrant as a tapestry woven with precious stones. Inspired by her travels through 15th-century Spain and Morocco, McKennitt explores the intricate dance of Christianity, Judaism, and Islam, much like the intertwined threads of selenite, lapis lazuli, and carnelian, each adding its distinct energy to the overall composition.
Reflecting on spirituality and the masks we wear, the album’s title invites introspection and discovery. The eclectic instrumentation—featuring cellos, uilleann pipes, dumbegs, tablas, and ouds—resonates with the depth of smoky quartz, grounding listeners while elevating their spirits. Tracks like "The Mystic's Dream," "Marrakesh Night Market," and "The Bonny Swans" transport you to distant lands with their story-driven melodies. Meticulously produced with the help of Brian Hughes and Jeff Wolpert, "The Mask and Mirror" radiates a polished, refined sound, akin to a perfectly cut amethyst, enhancing the emotional impact of each song. Certified Gold in the U.S. and embraced worldwide, this album is a testament to McKennitt’s innovative artistry, transcending cultural boundaries with the grace of a finely polished gem. - Marina
