Review
Kamasi Washington's "The Epic," released on May 5, 2015, by Brainfeeder, represents a groundbreaking moment in the genre of jazz, encapsulating a masterful blend of styles that stretch beyond the edges of the traditional. As Washington's third studio album and his first foray with a major label, this triple album unfolds over nearly three hours of music and is a celebration of jazz’s complexity and dynamism. With a seamless mix of avant-garde and spiritual jazz, it showcases Washington's prowess in creating a fusion that is as innovative as it is respectful of its roots.
Commencing with the ambitious "Change of the Guard," the album sets a tone of grandeur and innovation, featuring Washington's compelling tenor saxophone. The presence of a full string orchestra and a choir throughout the album introduces an enriching cinematic dimension that complements the musicians' virtuosity. Critics have praised the album for striking a delicate balance between technical mastery and broad accessibility, giving it the rare ability to provoke thought while speaking to the heart. The ensemble's performance, under Washington's leadership, is a resonant display of skill and passion that captivates the listener.
Evocative pieces such as "Re Run Home" illustrate how Washington deftly marries jazz with genres like funk, reinventing the music’s historical context with a forward-thinking approach. The reinterpretation of classics including Ray Noble's "Cherokee" and Debussy's "Clair de Lune" reveals Washington's deep reverence for the past, repackaged with invigorating originality. "The Epic" beckons audiences into its vast narrative landscape, offering a variety of emotional and thematic nuances under Washington's cohesive direction.
Overall, "The Epic" stands as a testament to Kamasi Washington's innovation and influence in the modern era of jazz, securing his role as an ambassador for the genre's evolution and resilience. Its widespread acclaim and inclusion in significant "best of" lists punctuate its legacy and foreshadow a luminous path forward for Washington, his ensemble, and jazz itself. - Nate
