Review
"Take A Look," Irma Thomas' 1966 jewel, unfurls as a soulful masterpiece infused with emotional depth and the raw power of her voice. Celebrating a radiant release on Imperial Records, this collection artfully swings between upbeat and achingly slow tempos, spotlighting Thomas' impressive versatility. Tracks like "Teasing, But You're Pleasing," "I Haven't Got Time to Cry," and "You Don't Miss a Good Thing (Until It's Gone)" envelope listeners in a whirlwind of varying emotions, brilliantly conveyed through Thomas' exceptional vocal prowess.
The production quality is stellar, placing Thomas' vocals at the forefront whilst underpinning them with a richly detailed backing band that adds extraordinary depth to each song. The album's thoughtful sequencing keeps the listener engaged, transitioning fluidly between energetic anthems and heartfelt ballads, crafting a listening journey that feels meticulous and intentional.
Highlighting the album is Thomas' propensity for weaving personal narratives into her music, amplified by her contributions as a co-writer on several tracks. The poignant "You Don't Miss a Good Thing (Until It's Gone)" bears her signature touch, adding layers of intimacy to the content. Additionally, Thomas' spirited interpretation of Randy Newman's "Baby, Don't Look Down" showcases her ability to make any song unmistakably her own.
In essence, "Take A Look" is an emblem of Irma Thomas' distinguished aptitude as a singer and songwriter. It invites not just the soul and R&B connoisseurs but anyone hungry for timeless, resonant music that's destined to echo through the years.
In brightness of evening, her voice does soar,
A gentle whisper, yet a giant's roar.
Songs of heart, of love did she weave,
Leaving echoes in sunsets—a soul's reprieve. - Seraphina
