Review
"Wasteland, Baby!" by Hozier, emerges as a rich blend of folk, soul, and blues, weaving a sonic narrative that both captivates and challenges its listeners. Released on the first day of March in 2019, this album unfurls across 14 tracks, showcasing the deep, resonant timbre of the Irish singer-songwriter's voice paired with his knack for crafting deeply meaningful lyrics. The album kicks off with "Nina Cried Power," a potent protest anthem that nods respectfully to musical icons who’ve historically sung truths into the face of power, setting a formidable tone for the entire suite with its stirring melodies and Hozier’s fervent political fervor.
As the album unfolds, tracks like "Almost (Sweet Music)" offer a softer, more folksy turn, interlacing narratives with allusions to jazz legends like Chet Baker and Duke Ellington, while a celestial choir elevates the track, adding a spiritual dimension to the melody. "Movement" seduces with its sensuality—Hozier’s vocal dynamic plays between whispers and roars against a backdrop of vivid, evocative lyrics that make it irresistibly tuneful. Despite a few lesser-received tracks such as "No Plan" and "Sunlight," which have been noted for their slower pace and repetitive nature, the album redeems itself with its title track. "Wasteland, Baby!" stands out with its gentle folksy vibes and lyrics that engage with worldly realities, showcasing Hozier's ability to balance robust, bluesy energy with introspective softness. The overall production underscores Hozier's vocal prowess and lyrical strength, exploring themes of love, faith, and apocalyptic reflections with a precision that allows his voice to resonate profoundly throughout. - Tanner
