Review
'The Crux,' recorded at the storied Electric Lady Studios in New York City, represents a significant artistic stride for Joe Keery's musical project Djo. Released in 2025, this collection weaves together vintage musical sensibilities with contemporary self-reflection, demonstrating Keery's evolving artistry beyond his acting career. The album opens with 'Lonesome Is a State of Mind,' where gentle acoustic elements gradually transform into a compelling narrative about embracing solitude. Tracks like 'Basic Being Basic,' 'Delete Ya,' and 'Potion' showcase the emotional range that has become characteristic of Djo's musical identity.
Working alongside co-producer Adam Thein, Keery crafts a sonic environment that honors his musical foundations while pushing into fresh territory. The new wave influences apparent throughout the album call to mind the melodic sensibilities of The Cars, yet maintain a distinctly modern perspective. Each track on 'The Crux' contributes to a unified musical statement that never loses its footing across diverse emotional terrain. The production quality enhances rather than overshadows Keery's songwriting, allowing his lyrical observations room to resonate.
'The Crux' establishes Djo as an artist worthy of attention in contemporary music circles, independent of Keery's screen accomplishments. The album balances moments of sincere introspection with playful musical explorations, creating an experience that feels both authentic and carefully crafted. From its captivating hooks to its thoughtful lyrics, this release invites listeners into a world where vintage inspiration meets present-day expression. Through this work, Keery demonstrates his capacity to translate personal insights into music that connects across generational and stylistic boundaries. - Christina
