Review
Coyote Kid, having evolved from their prior identity as Marah in the Mainsail, ventures forth with a compelling narrative-driven album entitled "The Skeleton Man." The band, rooted in Minneapolis, channels an eclectic cinematic rock sound to unfold a post-apocalyptic western story. The album captivates listeners by immersing them in an enigmatic and desolate realm, entwining grit and melody to narrate the saga of The Coyote Kid. Their approach to storytelling is not only adventurous but also rich in stylistic variety, setting an aggressive tone that is as sweeping as the tales it tells.
"The Skeleton Man" ensnares the audience with an array of emotional swings, encapsulating hope and despair within its tracks. Thus, the album's journey is as unpredictable as it is thrilling. Austin Durry's raw vocal power and Cassandra Valentine's nuanced performances lead the charge, while the explosive energy of jungle-like percussion, the grandeur of brass horns, the aggression of the bass, and the distinctive twang of spaghetti western guitars come together to forge an unforgettable soundscape. This creation by Coyote Kid reaches beyond simple hooks, offering up an album that engages those with an appetite for ambitious, story-rich musical experiences. - Karl
