Review
Strap in for a wild ride with Can's groundbreaking "Tago Mago," a double LP unleashed in 1971 that took rock music soaring into uncharted territories. This album is a masterclass in pushing musical boundaries, creating an intricate web of rock, jazz, and funk through the band's innovative use of improvisation and tape editing. Holger Czukay's genius as a bassist and editor comes to the fore, piecing together spontaneous jams into a thrilling tapestry of sound that feels both raw and refined.
From Jaki Liebezeit's commanding drumming that anchors the band's explorations to Michael Karoli's tension-filled guitar riffs, every moment in "Tago Mago" brims with intensity and subtle complexity. Damo Suzuki’s enigmatic vocals weave a layer of mystique that perfectly complements the album’s adventurous spirit. The first half features pulsating tracks like "Paperhouse" and "Mushroom," laying down infectious rhythms, while the second half delves into expansive, atmospheric wonders with "Halleluwah" and "Aumgn." This album is a sonic journey that keeps on giving, a true gem for those ready to dive deep into its labyrinthine soundscape. - Rhett
