Review
"Filosofem" by Burzum stands as a monumental force in Norwegian black metal. Dropped in January 1996, but crafted back in March '93, this beast of an album is Varg Vikernes' brainchild. It's a haunting blend of raw, lo-fi aesthetics fused with experimental and ambient twists. With six lengthy tracks, the album thrives on minimalist motifs and repetitive structures that pull you into its dark embrace.
"Dunkelheit" kicks things off with a mesmerizing synthesizer melody, setting a haunting tone. "Jesus' Tod" and "Erblicket die Töchter des Firmaments" dive deep into classic black metal territory, with ferocious intensity. The "Gebrechlichkeit" tracks complement each other stunningly—one with vocals, the other purely instrumental. But "Rundgang um die transzendentale Säule der Singularität" steals the show with its chilling melody and atmospheric depth. Add in Theodor Kittelsen's eerie album artwork, and you've got a classic that's left an indelible mark on black metal and ambient scenes alike. - Ben
