Review
In 2011, Bon Iver’s self-titled second album heralded a significant transformation from the delicate, acoustic essence of his debut, "For Emma, Forever Ago." With "Bon Iver, Bon Iver," Justin Vernon ventures deep into sonic adventures, spinning intricate layers that elevate indie folk to new heights. The opening track, "Perth," blazes the trail with its thunderous drums and swirling electric guitars, ensuring that this album unfolds like an aural painting, rich with color and detailed instrumentation.
Throughout the album, tracks like "Holocene" and "Towers" effortlessly capture Vernon’s talent for creating expansive, chanting melodies. On the other hand, "Michicant" and "Lisbon, OH" offer immersive, instrumental experiences that gently lead listeners through ambient landscapes. Many songs imbue a feeling of time and place—like precious stones strung on a gleaming necklace, each song is its own carefully crafted vignette. The closer, "Beth/Rest,” with its tender piano and serene melody, wraps the album in an exquisite cloak of tranquility.
"Bon Iver, Bon Iver" was met with critical praise, celebrating its groundbreaking production and Vernon's evolving artistry. Garnering the Grammy Award for Best Alternative Music Album in 2012, it cemented its place in the annals of music history, frequently mentioned amongst the decade’s best. With each listen, this album unfolds like a meticulously woven piece of art, revealing new subtleties and charm for those patient enough to uncover its hidden beauties. - Jade