Review
Billie Holiday’s “Body and Soul” album, released in 1957, is a unique snapshot of her artistry toward the end of her career. By this time, her voice had softened, showing the toll of years and hardship, but her interpretive depth remained unparalleled. The album is intimate, capturing an emotional depth that makes each song feel personal and raw.
The recording sessions included an impressive lineup: Ben Webster on tenor saxophone, Harry “Sweets” Edison on trumpet, Barney Kessel on guitar, Jimmy Rowles on piano, and Red Mitchell on bass. Their talents create a warm, lush atmosphere that frames Holiday’s voice beautifully. Tracks like “They Can’t Take That Away from Me” and “Darn That Dream” showcase her ability to convey vulnerability and resilience, particularly through her subtle phrasing and emotive pauses.
The album captures a nostalgic sense of melancholy, especially in pieces like “Body and Soul,” where Holiday pours herself into each lyric, transforming the music into a conversation with the listener. Critics at the time noted a shift in her style, describing her approach as more “recitative,” where the focus was on lyrical delivery rather than technical prowess. This choice adds to the haunting quality of the album, making it a significant piece in Holiday’s discography for its emotional resonance and introspective feel.
The reissues of “Body and Soul”, particularly those that maintain the original analog warmth, continue to attract listeners for the way they preserve the intimacy and raw beauty of Holiday’s late performances. This album is a poignant reminder of her legacy, offering listeners a glimpse into the heart of an artist who lived and breathed jazz to her very core. - Carlie
