Review
Beirut's "A Study of Losses" is a sweeping work that unfolds like a richly detailed novel, its 18 tracks weaving a narrative of loss and memory. Composed as a commissioned work for the Swedish circus Kompani Giraff, the album draws inspiration from Judith Schalansky's novel "A List of Some Losses", and its themes of disappearance and preservation are reflected in the music. The album's sound is a vibrant blend of orchestral pop and chamber folk, with Zach Condon's compositions revisiting early influences while introducing new textures and depth. From the lush arrangements of "Caspian Tiger" to the immersive "Guericke's Unicorn", each track contributes to a sense of sonic exploration. The album's atmospheric sound is likely due in part to its recording locations in Berlin and Stokmarknes, Norway.
As a whole, "A Study of Losses" is an ambitious and expansive work that showcases Beirut's ability to craft music that is both deeply personal and widely relatable in its exploration of humanity's stories. The album's 57 minutes of music are filled with a sense of wonder and discovery, as Condon explores concepts of loss and memory through his lyrics and instrumentation. The result is a work that is both a soundtrack to a unique stage production and a standalone musical statement, one that invites listeners to immerse themselves in its sonically expansive and emotionally resonant world. With its blend of narrative depth and cinematic artistry, "A Study of Losses" is a compelling and deeply moving listen. The album's sense of scope and ambition makes it a notable addition to Beirut's discography, and a testament to Condon's continued growth as a musician. - Callum
