The National – First Two Pages of Frankenstein

Review

The National's ninth studio album, "First Two Pages of Frankenstein," serves up a deeply poignant and introspective journey, exploring themes of loss, longing, and the fragile threads that connect us. Wrapped in gentle chamber-rock soundscapes, the album drips with the band’s trademark brooding intensity, as Matt Berninger’s profoundly personal lyrics navigate the choppy waters of disintegrating relationships and the quest for meaning amidst uncertainty. Imagine reading a collection of deeply moving short stories, each one peeling away layers of human vulnerability.

Standout tracks like “Eucalyptus” and “Ice Machines” are akin to leafing through haunting, atmospheric narratives that resonate on a deeply personal level. With an impressive lineup of guest appearances from the likes of Sufjan Stevens, Phoebe Bridgers, and Taylor Swift, the record broadens its emotional palette. Swift's contribution to “The Alcott” adds a beautifully warm and vulnerable layer to its waltz-time melody. The subtle orchestral touches and electronic textures enrich the album’s sonic depth, making it a masterclass in emotional restraint and musical sophistication. As with a gripping novel you can't put down, "First Two Pages of Frankenstein" is both introspective and expansive, leaving you deeply moved and contemplative. - Josh